Max

From mosh pits to mountain peaks — I thrive in environments with raw energy. No retouching, no staging, just the moment. I started in music venues shooting bands for free, and somewhere along the way that lens turned outward: now I spend half my year on expeditions and the other half in sweaty clubs, and honestly I can't tell you which I prefer.

I work best when I'm not supposed to be there — off-stage, backstage, off-trail. The best frames come from being quiet and waiting. I deliver fast: rough selects within 24 hours of a shoot, finals in a week.